Pazhani

Bharath stars with a new heroine in this movie, which was akin to what Pazhanimalai is famous for - mottai. A movie with excessive punching cheesiness and defeat to almost all theories of Darwinian or biological evolution of things! Anyway, to the story...
Pazhani a.k.a Vellaiyan is getting released from jail (years after he committed a murder at the age of 10) and his inmates are celebrating for him when a jealous bad guy starts challenging him and gets beaten up badly. Here comes in a song, which was funny, but also so unbelievable cause there was a mass of prisoners out dancing! Were the theory about bad guys being in the prison right (for the most part), you'd think they'd just overpower the police minority and escape. But apparently these people just danced around and quietly returned back to their cells.
Anyway, Vellaiyan leaves jail and starts hounding Jeeva for a job and eventually gets it, after fighting away some bad guys and losing his cycle. He becomes very dear to Jeeva's wife, Karpagambal. He disappears on the death anniversary of Karpagam's mother, saying he had a personal task to attend to and here viewers are shown that both him and Karpagam are children of the same mother.
One day, he saves Karpagam from henchman attack and finds out that it was by Jeeva's illicit lover. When he threatens Jeeva and tells the truth to Karpagam, Jeeva frames him for embezzlement, which forces Vellaiyan to reveal that he is Pazhani. Karpagam sends him out of the house. She gets a phone call the next day from her husband who pretends to have been injured seriously by Pazhani and out of love for her husband, she files a complaint and Pazhani is thrown in jail. A few days later, Karpagam's long lost father returns to see Pazhani, but she discovers that Pazhani had killed her father's illicit lover, to make his mother happy. She, then finds out that her husband's story is false and tries to get Pazhani out. Her husband strikes a deal that if she won't see her brother, he can be released and she accepts.
A few days later, Pazhani plays tricks on Jeeva and gets him thrown in jail. His illicit lover, Durga, is insulted in the station and he is released when Karpagam comes to station, since he is his wife. Durga forces Jeeva to marry her, but Pazhani stops the marriage. Eventually, Jeeva is about to kill Karpagam, pretending Pazhani is the murderer, but again is stopped.
In the end, Jeeva goes his boss and successfully gets Karpagam thrown out of the house, but also loses the house to his boss. Eventually, he also loses Durga to his boss and finds out that she is a woman with loose morals. In the final climax, Pazhani kills and saves everyone dear to him and also displays his heroics.
It was nothing but an hour of torture. I have seen other commercial movies, but probably this movie had so many punch dialogues and cheesy lines that I was squirming and rolling my eyes half of the time. Except for loads of noise that kept me awake from dozing off and Bharath's balanced dancing, director Perarasu needs to look at better topics to make movies out of, since wives who tolerate their husbands' illicit relationships and brothers who send their sisters back to live with their abusive husbands, as well as using thali as release warrant for those in jail is as old as planet Earth.